Callum Morton
WORKS BIOGRAPHY EXHIBITIONS
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Born Montreal, Canada, 1965
1983-85
Bachelor of Architecture, R.M.I.T, Melbourne
1986-88
Bachelor of Fine Arts (Painting), Victoria College, Melbourne
1996-99
Master of Fine Arts (Sculpture), RMIT, Melbourne.
1996-98
Lecturer in Photography, Media Arts Department, Deakin University.
1997
Visiting Instructor, Art Center College of Design, Pasadena,California
Artist in Residence, Govett-Brewster Art Gallery, New Plymouth, New Zealand
1997& 2001
Lecturer, Landscape Architecture, Melbourne University.
1997-2001
Lecturer, Sculpture Department, RMIT.
1997-2003
Lecturer, Victorian College of the Arts, Melbourne.
2001 -2003
Lecturer Architecture Department, RMIT, Melbourne.
2004
Samstag Scholar at Art Center College of Design, Pasadena, California.
Selected Solo Shows
2012
The Insides, Roslyn Oxley9 Gallery, Sydney
2011
Callum Morton - In Memoriam, (curated by Linda Michael) Heide Museum of Modern Art, Melbourne
2009
Pavillion (Grotto), Fundament Foundation in Tilburg, The Netherlands
The Tourist, the Pilgrim and the Flaneur curated by Charles Esche and Maren Richter, Linz, Austria
Callum Morton - Wall to Wall, Roslyn Oxley9 Gallery, Sydney, Australia.
2007
Australian Pavillion, 52nd Venice Biennale, Venice
Tomorrowland, Perth Institute of Contemporary Art, Perth, Western Australia
2006
Piles, Pools and Projections, Rosyln Oxley9 Gallery, Sydney
Callum Morton: Babylonia, Bendigo Art Gallery, Bendigo
Mini Monuments, Anna Schwartz Gallery, Melbourne
Tomorrow Land: Callum Morton, Mornington Peninsula Regional Gallery,
Mornington, Victoria
2005
Babylonia, Australian Centre for Contemporary Art, Victoria
2004
The Wishing Well, Gimpel Fils, London.
The Situationist, Statements Stand, Art Basel Miami Beach
2003
More Talk About Buildings and Mood, Museum of Contemporary Art,
Sydney
Habitat, The Ian Potter Centre: NGV Australia, Melbourne
2002
Gas and Fuel, Anna Schwartz Gallery, Melbourne
The Big Sleep, Karyn Lovegrove Gallery, Los Angeles
2001
Local +/or General, Roslyn Oxley9 Gallery, Sydney
2000
Don't Even Ask, Roslyn Oxley9 Gallery, Sydney
Malice in Blunderland Galleri Tommy Lund, Copenhagen, Denmark
1999
International Style, Roslyn Oxley9 Gallery, Sydney
International Style, Santa Monica Museum of Art, Los Angeles
1998
Lockout, CBD, Sydney
Cellar, First Floor, Melbourne
1997
something more, Teststrip, Auckland, New Zealand
now and then, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Strip, Karyn Lovegrove Gallery, Melbourne
1996
been there, Artspace, Sydney
1995
The Heights, Karyn Lovegrove Gallery, Melbourne
1994
Cul-de sac, 200 Gertrude Street, Melbourne
Door Door, Room 32, Regents Court Hotel, Sydney
1993
Sanctuary, Critical Cities (Melbourne), Charles Street, Fitzroy, Melbourne
Office, Store 5, Melbourne
1992
View, Post West, Adelaide
Critical City, Adelaide
Window, Prahran Mission Shop, Melbourne
1991
A Dozen Real Fictions, Store 5, Maples Lane, Melbourne and Charles William Gallery,
R.M.I.T. Architecture Department, Melbourne
1989
Tonight the Ritz, Store 5, no 29, Maples Lane, Melbourne
Selected Group Shows
2012
Kindness/Udarta: Australia-India Cultural Exchange, RMIT Gallery, Melbourne.
2011
Forever Young: 30 Years of the Heide Collection, Heide Museum of Modern Art, Melbourne
2010
Mirror Mirror: Then and Now, The Anne & Gordon Samstag Museum of Art, Adelaide.
Adelaide Biennial of Australian Art: Before & After Science, Adelaide Biennial Australian Art, Adelaide, SA
2009
Mirror Mirror: Then and Now, IMA Institute of Modern Art, Brisbane, QLD
The Dwelling ACCA - Australian Center for Contemporary Art, Melbourne, VIC
Stardust, Fundament Foundation, Tilburg, Netherlands.
2008
SCAPE 2008, SCAPE Biennial of Art in Public Space, Christchurch
Archeology of Mind, Malmö Art Museum, Malmö, Sweden
TarraWarra Biennial 2008, Lost & Found: An Archeology of the Present,TarraWarra Museum of Art, Box Hill, VIC
Parallax, Fieldgate Gallery, London
2007
Au3: Susan Norrie, Daniel von Sturmer & Callum Morton, Australian
Pavilion, Venice Biennale
2006
Dusk til Dawn, Callum Morton and David Pledger, Arts House, Meat Market, Studio B, North Melbourne
Everywhere, The Busan Biennale, Busan
Walk In/Drive In, Adelaide Festival, Adelaide
The Unquiet World, Australian Centre for Contemporary Art, Melbourne
High Tide: New currents in art from Australia and New Zealand, Zacheta National Galley, Warsaw
2005
If these walls could talk, Roslyn Oxley9 Gallery, Sydney
2004
Cycle Tracks Will Abound in Utopia, Australian Centre for Contemporary Art, Melbourne
Public/Private; Auckland Triennial, Auckland, New Zealand
Architypes, Charles H Scott Gallery, Vancouver, Ivan Dougherty Gallery, Sydney
2003
Berlin Art Fair (with Anna Schwartz)
Cologne Art Fair.(with Gimpel Fils)
Frieze Art Fair.(with Gimpel Fils)
Face Off, Hamburger Bahnhoff, Berlin
Come In, Govett Brewster Art Gallery, New Plymouth, New Zealand
Twilight, Gimpel Fils, London.
Architectural Allusions: Callum Morton and Edwin Zwackman, Gimpel Fils, London
Salon des refuses, Progetti di public art mai realizzati, curated by Roberto Pinto, Fondazione Bevilacqua La Masa, Venice, Italy
Gulliver's Travels, Contemporary Art Centre of South Australia, PICA Perth, IMA Brisbane
2002
Fieldwork, Australian Art 1968 - 2002. National Gallery of Victoria, Australia, Federation Square. Melbourne
The Heimlich Unheimlich, RMIT University Gallery, Melbourne
People Places and Ideas, MUMA, Melbourne
Cologne Art Fair. (with Gimpel Fils)
Melbourne Artfair (with Gimpel Fils)
Milan Art Fair, Italy. (with Gimpel Fils)
Bittersweet, AGNSW, Sydney.
Nocturne, Mornington Regional Art Gallery, Victoria, Australia.
Gulliver's Travels, CAST Gallery, Hobart, Tasmania. Ivan Dougherty NSW, Monash University Gallery, Melbourne.
The Armory Show, New York (with Gimpel Fils)
20, Roslyn Oxley Gallery
2001
Feature, Govett Brewster Art Gallery, New Plymouth, New Zealand
Artissima, Turin, Italy(with Anna Schwartz)
The (Ideal) home Show, Gimpel Fils, London, UK
2000
Longevity, Ian Potter Museum, Melbourne, Australia
The Persistence of Pop, The Exhibitions Gallery, Wangaratta.
The Retrieved Object Linden, St Kilda, Melbourne
Rent, Overgaden, Copenhagen Australian Centre for Contemporary
Art, Melbourne
August 26, Elastic, Sydney
Slave Pianos:The Compromised Economy of Desire and Fear, Melbourne
Facsimile, Bendigo City Art Gallery, Bendigo, Victoria.Plimsol Gallery,
Hobart, Tasmania
1999
Live Acts.Chunky Move @ Revolver, Melbourne
Signs of Life, Melbourne International Biennial, Melbourne
Facsimile, LAC Gallery, Caracas, Venezuela
The Queen is Dead, Stills Gallery.Edinburgh, Scotland
The Persistence of Pop, Monash University Gallery, Melbourne
1998
Everybody Knows, Care of Space d'arte contemporanea and gallery, Openspace.Milan, Italy
Strolling: the art of arcades, boulevards, barricades, publicity, Museum of Modern Art at Heide, Melbourne
Every Other Day, Roslyn Oxley 9 Gallery, Sydney
Snapshot, First Floor, Melbourne
Proscenium, Artspace, Auckland, New Zealand
Rough Trade, Plimsol Gallery Centre For the Arts, Hobart, Tasmania
1997
Rough Trade, The Tanks, Cairns, curated by Jane Gallagher.
Sepplet Contemporary Art Award, Museum of Contemporary Art, Sydney
Power Corruption and Lies, curated by Scott Redford. IMA, Brisbane
World Speak Dumb Karyn Lovegrove Gallery, Melbourne.
Art Advertising, Robert Lindsay Gallery, Melbourne
1996
Power Corruption and Lies / New Order Factory Records 1981, Plotz Gallery, Brisbane
The Expanded Field (with Danius Kesminas and Anna Nervegna) 200 Gertrude St, Melbourne S.W.I.M. 2 Fund Raiser. Project Space. RMIT Building 94.
Ruins in Reverse, RMIT Gallery, curated by Susan Fereday.
Technology Compost (with Damp), organised by Geoff Lowe.Adelaide Festival, Adelaide.
1995
Perspectives: 200 Gertrude Street 1985-1995, 200 Gertrude Street, Melbourne.
The Object of Existence, Australian Centre for Contemporary Art Melbourne
Monash University Art Prize, Monash University Gallery, Melbourne
Suddenly, collaboration with Kathy Temin.The Building 40 Project. RMIT, Melbourne
Lyndal Walker and Callum Morton, First Floor, Melbourne
Australian Perspecta, Art Gallery of New South Wales, Sydney
Videonnale # 6, Bonn, Germany
1994
Slide, 200 Gertrude Street, Melbourne
Projection: Filming the Body, The Basement Project, Melbourne
Passage: Spatial Interventions, Monash University Gallery, Melbourne
Loop: Part One: A Critical Cities Project (Melbourne), Longford Cinema, Melbourne
The Exact Moment, A Critical Cities Project, Melbourne
1993
Store 5 Fundraiser, Maples Lane, Melbourne
1992
S.W.I.M. Fund Raiser, Linden Gallery, Melbourne
Sight Regained: Fred Hollows Fund Raiser, Westpac Gallery, Arts Centre, Melbourne
1991
#100, Store 5, Maples Lane, Melbourne
Magasin 5, Cannibal Pierce Galerie Australienne, Paris, France.
March On! (#2) (collaboration with Rose Nolan), Store 5, Melbourne S.W.I.M Fund Raiser, Linden Gallery, Melbourne
1990
W.T. Rawleigh Building, Northcote, Melbourne
Duet, Collaboration with Kathy Temin, Store 5, no 62, Melbourne
1989
Where Art Ends, Nature Begins, Store 5,
# 62, Melbourne
# 31, A3-20, Store 5, Melbourne
#11, A3-10, Store 5, Melbourne
Bibliography
Stephen Naylor - Public/ Private Tumatauni/Tumataiti: The 2nd Auckland Triennial, Art Monthly Australia #170 June, 2004. p18.
Felicity Fenner - Callum Morton at the Museum of Contemporary Art, Art and America, March 2004, p140.
Susan Best - Sound and Light Humour, Architecture Australia, Jan-Feb, 2004
Astrid Mania - Strike a Pose: Australia Gives Good Face at Berlin's Hamburger Bahnhoff, Broadsheet Vol 32 # 4, p15-16
Richard Grayson - The Downside Up Show, Broadsheet Vol 32 #4, p14 -15
Andrew Frost - Australian Art Collector, Issue #27, 2003, p 92.
Karen Burns - About Face. Art Forum, Berlin. Monument #58, 2003 p38 &39.
Stuart Koop - More Talk About Buildings and Mood, MCA catalogue, Philip Brophy, 2003.
Pat Nourse - Spatial Relations. Black + White #69, 2003.p10
Philip Brophy - Face Up. Exhibition catalogue. Hamburger Bahnhoff.
Nick Hubicki, Germany.
Andrew Mackenzie - Messing with Mies & Callum Morton at the NGVA. Broadsheet, Vol 32 No. 3. Sept ? Nov, 2003. P24 25
Ashley Crawford - Sculptor?s Rich Pickings. The Age, Sept 15, 2003. A3, p11
Stuart Koop - Groundhog Day, Habitat Catalogue, The Ian Potter Centre: NGV Australia. 2003.
Martin Herbert - Frieze Art Fair. Yearbook 2003 & 2004.
Juliana Engberg - loop-back.; new australian art to berlin.Artlink Vol 23 # 3, p24 & 29
Edward Colless - Callum Morton: Interior World. Australian Art Collector, Issue 25, 2003. p 46 -49
Stuart Koop - Fieldwork. Australian Art 1968 & 2003 Broadsheet Vol 32 #1 2003.
Daniel Palmer - Callum Morton. Frieze Issue # 72, Jan & Feb 2003, p106
Davina Jackson - 21st Century House & Museum. Australian Art Collector. (Collector profile: Yueji and Corbett Lyon), Issue 23 Jan & Mar 2003, p 44-47.
Jenepher Duncan - Monash University Collection: Four Decades of Collecting.Linda Michael (Stuart Koop) p112, and p42
Stephanie Radok - The Point of Knowing. Samstag Scholarship catalogue 2003.
Juliana Engberg - The Heimlich Unheimlich. Melbourne Festival Visual Arts Program. 2002 catalogue.
Simon Rees - Bittersweet. Art and Text # 78. P 90 & 91, 2002
Linda Michael - People Places and Ideas. MUMA catalogue. Melbourne, 2002.
Nick Hubicki - Conning Icons. Architectural Review. Australia. Spring 2002. p20-21
Sylvia Katz & Learning from Callum Morton. Abitare 420. September 2002.
Stuart Koop - Gulliver's Travel's, Exhibition Catalogue. Wayne Tunnicliffe & Bittersweet. Exhibiton Catalogue. AGNSW.
Greg Burke - Feature - art, life & cinema. Exhibition catalogue, Govett Brewster Art Gallery, New Zealand
Stuart Koop - Crudelia ? Anno 11 nr.1 Gennalo&Marzo 2001
Stuart Koop - International Style, Monument #41, 2001.p 94 -97
Larissa Hjorth - Mortgage.Broadsheet Vol 29 no 4. Dec 2000. p 16.
D.J.Huppatz - Rent. Like # 13. Summer 2000.p 61 - 62
Callum Morton - The Retrieved Object, Exhibition Catalogue, Linden Gallery, Melbourne.
Anon - Not the Musical. Monument #36, June/July, 2000 p30
Dawn Fulcher & Max Andrews - Rent. Contemporary Visual Arts. Issue 29, 2000.p84
Briony Rhodes - Facsimile. Eyeline # 42, Autumn/Winter 2000. Stuart Koop & Charlotte Day - Rent. Special Issue of jeblikket as exhibition catalogue. May, 2000
Charles Green - Callum Morton. Artforum, March 2000.
Modern Institiute - Melbourne. Glasgow. Edinburgh. Exhibition catalogue for Cultural exchange project.1999.
Max Delany & Raising the Dead. An Interview with Callum Morton. Like Art Magazine No 10. Summer 1999.p 20-25
Clayton Campbell - Callum Morton. Santa Monica Museum of Art. Flash Art International. Vol.xxx11 no 208 October.1999.p117
Daniel Palmer - Signs of Life. Melbourne International Biennial.Frieze #48, Oct 1999. p100-101.
Stuart Koop - Signs of Life. Melbourne International Biennial. Art /Text #67. p86
Susan Stewart - Art and the Experience of Time.Like No 9.Winter 1999.
Monument - Not the Musical.Monument # 36 June/July. 2000
Stuart Koop - What's In the Box ? Catalogue Essay in Mixed Business The Work of Callum Morton.1999.
Juliana Engberg & Signs of Life. Melbourne International Biennial 1999,Exhibition catalogue
Elisabeth Mahoney - The Queen is Dead. Untitled #19, 1999.
Nicky Bird - Hot in the City, The Queen is Dead, Where the Wild Roses Grow, Art Monthly, UK, March, 1999.
Peter Timms - Pop reveals its simple powers of persistence. The Age, 24th March, 1999.p19.
Zara Stanhope - Persistence of Pop. Works from the Monash University Collection.1999
Karen Burns - Urban Unease: The Work of Callum Morton. Backlogue Vol 3. 1999.
Rachel Kent - Strolling. Art and Text #64, 1999. p93-94.
David Cross - Strolling: The art of arcades, boulevards, barricades, publicity, LIKE #7, Summer 1998/99.p46-47
Artfan #8 - Everybody Knows, 1998.
Max Delany - Strolling:the art of arcades, boulevards, barricades, publicity. Exhibition catalogue.Museum of Modern Art at Heide.1998.
Adam Geczy - Not so fine art. Art Monthly #112. August 1998.
Stuart Koop - Three Quarter Time. Interview with Callum Morton from Sepplet Contempoary Art Award catalogue, MCA, 1997.
Giovanni Intra - now and then, exhibition catalogue, Govett-Brewster Art Gallery, New Zealand.1997.
Rex Butler - Slow Apocalypse, exhibition catalogue, Power, Corruption and Lies, IMA, Brisbane. 1997
Lara Travis - World Speak Dumb, LIKE #2, 1997
Deborah Hennessy - Art Lover's Lost Highway, Broadsheet, Vol 26 # 2 Winter 1997
World Speak Dumb - Exhibition Catalogue, Karyn Lovegrove Gallery.
Christopher Chapman - Sculpture Snapshots, Photofile #99, 1997
Evan Maloney - Consuming Art, Art Monthly #99, 1997
Mark Pennings -Bright Shiny and New, art advertising, catalogue essay
Simon Cooper & the expanded field, LIKE #1, 1996.
Stuart Koop - been there, interview in exhibition catalogue, artspace Nov 1996.
David Cross - the expanded field, Art and Text # 55.
Robert Schubert - ruins in reverse, Art and Text # 55.
Natalie King - Building 40 Project, Art and Australia, vol 33 no 4
Susan Fereday - ruins in reverse (exhibition catalogue), RMIT Gallery.
Carolyn Barnes - Perspectives, An HistoricalPerspective, (exhibition catalogue) 200 Gertrude Street.
Claire Williamson - Object of Existence, (exhibition catalogue), ACCA, 1995
Max Delany - Callum Morton: Belvedere, Australian Perspecta 95 (exhibition catalogue), Art Gallery of New South Wales, 1995
Alex Pittendrigh & Mutlu ?erkez - Callum Morton and Lyndal Walker, 1995
Judy Annear - The Making of Australian Perspecta, Art Monthly, no 75,1995
Natalie King - Hothouse Varieties, Art & Asia Pacific, vol 2, no 2, 1995.
Stuart Koop - Real Model World, Art & Text, no 52, 1995, pp 36-38
Circular #3, February 1994
Sandra Bridie - The Exact Moment. Critical Cities Melbourne, 1994.
Natalie King - Passage: Spatial Interventions (exhibition catalogue), Monash University Gallery, May 1994
Sandra Bridie - Introduction to Critical Cities, Critical Cities, March 1994
Artfan # 2 - Office. 1994
M. Holden - Cul-de-sac (exhibition catalogue), 200 Gertrude Street, June 1994
E. Pierini - Passage: Spatial Interventions, Broadsheet, vol 23, no 2, Winter 1994
Marie Sierra-Hughes - Cul-de-Sac, Agenda # 38, September 1994
F. Coleman - Passage, Agenda # 38, September 1994
M. Holden - Loop: Part One, Agenda #38, September 1994
Artfan #3/4 - Loop: Part One, Melbourne, no 3/4, 1994
H. Smorgan & Loop: Part One, Photofile# 43, 1994
Chris McAuliffe - Next Wave Festival, Art and Australia, vol 32, no 2, 1994
T. Mathieson - More Next Wave Festival, Art and Australia, vol 32, no 2, 1994.
F. Coleman - Next Wave Festival, Art &Text # 49, 1994
Nicholas Baume - Room 32, Art &Text #50, 1994
Kirsten Thompson - Charles William Gallery Review, Transition # 36/37, 1991
Newspaper Reviews
Robert Nelson - Cycle Tracks Will Abound in Utopia, The Age, Sept 1, 2004
Elizabeth Farrelly - All the world's adesigner stage, Sydney Morning Herald, Tuesday Jan 20, 2004
Patricia Anderson - The secret life of houses. The Weekend Australian. Dec 20-21,
2003 R17
Peter Hill - Visual Arts. Sydney Morning Herald. Weekend Edition. Dec 13 - 14, 2003, Spectrum 11
Dominique Angeloro - If it's rockin'. SMH Metro, Friday 14th Nov, 2003.
Lenny Ann Low - Miniaturisation with mischief demands a detailed look. The Sydney Morning Herald,Oct 29, 2003. P 16.
Susan Shineberg - In the jaws of Berlin's Great Whites, a taste of Australia. The Age,Saturday October 4, 2003. News p9.
Megan Backhouse - A model artist. The Age. Sat May 31, 2003, review, P7.
Ashley Crawford - Bilbao on the Yarra, Financial Review, Dec 4th, 2002.
Robert Nelson - Viewers take ride back to the future. The Age. Sat Nov 30, 2002. P 29
John Mangan - Party time for an art gallery with a split personality. The Age Nov 25. 2002. P3
Gabriella Coslovich - Gas and Fuel towers are back, in miniature and on site. The Age. Nov 23, 2002. P 6.
Megan Backhouse - Callum Morton, cooking with gas, The Age Weds Oct 2, 2002. The Culture, P6.
Robert Nelson - The Age Sat 28th Sept.
Benjamin Genocchio - Twitchy escapist impulses. The Weekend Australian, May 4-5, 2002
Susan McCulloch&Vehlin - Lunar Dreaming, Weekend Australian, Sat April 20, 2002.
Holly Myers - An intimate trip to dreamland, LA Times, Feb 5, 2002.
Benjamin Genocchio - Building on lurid fantasies, The Weekend Australian, January12 - 13, 2002
Robert Nelson - Seeing is Believing. The Age. Friday November 24, 2000
Robert Nelson - Someone Else's Home is Where this Art is.Sunday Age. September 3, 2000
Megan Backhouse - Hybrid Forms under the Spotlight. The Age, Wednesday, 26 July, 2000.P7
Alison Barclay - 2020 visionaries.Who will be the leading Australian artists of the future? Herald Sun, Saturday, January 8, 2000.p104 +p97
William Wilson - Oversized Comments on Society, Success. Los Angeles Times, July 22, 1999.
Yasmin Monsalve - La cultura de la copia ilega desde Australia. El Universal.July 11999.
Edgar Alfonzo-Sierra - Facsimile:Australia en copias.El Nacional.June 30 1999.
Bruce James - Hitting the Poor Snail on the Head. The Sydney Morning Herald.June 19 1999.
Joanna Murray-Smith - The Freedom to Pursue the Art of the Matter. The Age 13 June 1999.
Anna Clabburn - Plentiful Life Signs. The Age June 9 1999.
Robert Rooney - A little chaos, but definite life signs. The Australian. Sunday May 1999.
Peter Timms - Biennale plays it safe. The Age May 1999.
Ashley Crawford - Signs of Strife. The Age, May 8 1999.
Peter Timms - Pop reveals its simple powers of persistence. The Age,March 24, 1999.
Anna Clabburn - Three strolling artists lead the way at MOMA. The Age, Nov 11, 1998.
Sebastian Smee - Sydney Morning Herald. Sept 29, 1998.
Myfawny Warhurst - Strolling Along. The Age, Saturday Extra. Oct 24, 1998.
Robert Roone - Everyday is deja vu Day in Suburbia.The Australian.Oct 16, 1998.
TJ McNamara - Neo-Romantic Revival.Art Monthly New Zealand.
Peter Hill - Moonlighting for Jacks of All Trades.The Australian, March 6, 1998.
Adrian Martin - Art Collector# 1998.
Susan Mcculloch - Architectural bent puts Morton in the frame. The Australian. Nov 21, 1997.
Giles Auty - But Who Picked the Jury ? The Weekend Australian. Nov 15-16, 1997.
Bruce James - Galleries. Sydney Morning Herald. Nov 14, 1997
Rebecca Lancashire - When is an art prize not an art prize ? The Age, July 16 1997
Angela Bennie - A Toast to final five, The Sydney Morning Herald, July 15, 1997
Mark Birch - New artist-in-residence is closer to deciding New Plymouth Project, Daily News, New Plymouth, June 27, 1997.
Robert Rooney - Art-Advertising, The Australian, March, 1997
Anna Johnson - Young At Art, Good Weekend, April 26, 1997.
Bruce James - Sydney Morning Herald, Nov 1996
Robert Rooney - ......Expanded Field. The Australian, Melbourne, 24 May, 1996
Robert Nelson - Fire in a Prestigious Underbelly, The Age, Melbourne, 15 May, 1996
Robyn Mckenzie - Balcony Sculpture, The Age, Melbourne, 25 October,1995.
Robert Rooney - Melbourne Art, The Australian, Melbourne, 17 October, 1995.
Bruce James - Perspecta exhibition a hybrid exploration, The Age, Melbourne, 10 February, 1995
Elwyn Lynn - Framed witnesses defend Perspecta, The Australian, Melbourne, 10 February, 1995
Video Art
2000
Callum Morton Four Works. Video Document.
1999
Twister. For Live Acts with Shelley Lassica. Chunky Moves Performances at Revolver.
1996
The Expanded Field. Video documentation.
1994
Loop: Part One.
Page Art
Cattelan, M and Manfrin, P Permanent Food # 7, 2000.
Artfan #8, Everybody Knows, 1998.
Practice #3, Artist Pages. 1998.
Circular # 6, September, 1997
Artfan #, Rock On. Guest Editor.1998.
Artfan #5, Cover, Autumn 1995.
Agenda #35, Cover.1993
Circular #1, May 1993
Circular #2, October 1993
Agenda #13/14, Artists Page: Artists Wallpaper Supplement,
Prizes
Sepplet Contemporary Art Award
Monash University Inaugural Art Awards, 1995
Grants and Scholarships
1997
New Work Grant, Australia Council
New Work Grant. Australia Council.
Professional Development Grant, Arts Victoria
1999
New Work Grant Australia Council
2000
New Work Grant, Arts Victoria.
2003
Samstag Scholarship.
Collections
Art Gallery of New South Wales
National Gallery of Victoria
Monash University Gallery, Melbourne
Queensland Art Gallery
The Corbett and Yueji Lyon Collection.
The Michael Buxton Collection.
Artbank.
Private Collections locally and internationally
1983-85
Bachelor of Architecture, R.M.I.T, Melbourne
1986-88
Bachelor of Fine Arts (Painting), Victoria College, Melbourne
1996-99
Master of Fine Arts (Sculpture), RMIT, Melbourne.
1996-98
Lecturer in Photography, Media Arts Department, Deakin University.
1997
Visiting Instructor, Art Center College of Design, Pasadena,California
Artist in Residence, Govett-Brewster Art Gallery, New Plymouth, New Zealand
1997& 2001
Lecturer, Landscape Architecture, Melbourne University.
1997-2001
Lecturer, Sculpture Department, RMIT.
1997-2003
Lecturer, Victorian College of the Arts, Melbourne.
2001 -2003
Lecturer Architecture Department, RMIT, Melbourne.
2004
Samstag Scholar at Art Center College of Design, Pasadena, California.
Selected Solo Shows
2012
The Insides, Roslyn Oxley9 Gallery, Sydney
2011
Callum Morton - In Memoriam, (curated by Linda Michael) Heide Museum of Modern Art, Melbourne
2009
Pavillion (Grotto), Fundament Foundation in Tilburg, The Netherlands
The Tourist, the Pilgrim and the Flaneur curated by Charles Esche and Maren Richter, Linz, Austria
Callum Morton - Wall to Wall, Roslyn Oxley9 Gallery, Sydney, Australia.
2007
Australian Pavillion, 52nd Venice Biennale, Venice
Tomorrowland, Perth Institute of Contemporary Art, Perth, Western Australia
2006
Piles, Pools and Projections, Rosyln Oxley9 Gallery, Sydney
Callum Morton: Babylonia, Bendigo Art Gallery, Bendigo
Mini Monuments, Anna Schwartz Gallery, Melbourne
Tomorrow Land: Callum Morton, Mornington Peninsula Regional Gallery,
Mornington, Victoria
2005
Babylonia, Australian Centre for Contemporary Art, Victoria
2004
The Wishing Well, Gimpel Fils, London.
The Situationist, Statements Stand, Art Basel Miami Beach
2003
More Talk About Buildings and Mood, Museum of Contemporary Art,
Sydney
Habitat, The Ian Potter Centre: NGV Australia, Melbourne
2002
Gas and Fuel, Anna Schwartz Gallery, Melbourne
The Big Sleep, Karyn Lovegrove Gallery, Los Angeles
2001
Local +/or General, Roslyn Oxley9 Gallery, Sydney
2000
Don't Even Ask, Roslyn Oxley9 Gallery, Sydney
Malice in Blunderland Galleri Tommy Lund, Copenhagen, Denmark
1999
International Style, Roslyn Oxley9 Gallery, Sydney
International Style, Santa Monica Museum of Art, Los Angeles
1998
Lockout, CBD, Sydney
Cellar, First Floor, Melbourne
1997
something more, Teststrip, Auckland, New Zealand
now and then, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Strip, Karyn Lovegrove Gallery, Melbourne
1996
been there, Artspace, Sydney
1995
The Heights, Karyn Lovegrove Gallery, Melbourne
1994
Cul-de sac, 200 Gertrude Street, Melbourne
Door Door, Room 32, Regents Court Hotel, Sydney
1993
Sanctuary, Critical Cities (Melbourne), Charles Street, Fitzroy, Melbourne
Office, Store 5, Melbourne
1992
View, Post West, Adelaide
Critical City, Adelaide
Window, Prahran Mission Shop, Melbourne
1991
A Dozen Real Fictions, Store 5, Maples Lane, Melbourne and Charles William Gallery,
R.M.I.T. Architecture Department, Melbourne
1989
Tonight the Ritz, Store 5, no 29, Maples Lane, Melbourne
Selected Group Shows
2012
Kindness/Udarta: Australia-India Cultural Exchange, RMIT Gallery, Melbourne.
2011
Forever Young: 30 Years of the Heide Collection, Heide Museum of Modern Art, Melbourne
2010
Mirror Mirror: Then and Now, The Anne & Gordon Samstag Museum of Art, Adelaide.
Adelaide Biennial of Australian Art: Before & After Science, Adelaide Biennial Australian Art, Adelaide, SA
2009
Mirror Mirror: Then and Now, IMA Institute of Modern Art, Brisbane, QLD
The Dwelling ACCA - Australian Center for Contemporary Art, Melbourne, VIC
Stardust, Fundament Foundation, Tilburg, Netherlands.
2008
SCAPE 2008, SCAPE Biennial of Art in Public Space, Christchurch
Archeology of Mind, Malmö Art Museum, Malmö, Sweden
TarraWarra Biennial 2008, Lost & Found: An Archeology of the Present,TarraWarra Museum of Art, Box Hill, VIC
Parallax, Fieldgate Gallery, London
2007
Au3: Susan Norrie, Daniel von Sturmer & Callum Morton, Australian
Pavilion, Venice Biennale
2006
Dusk til Dawn, Callum Morton and David Pledger, Arts House, Meat Market, Studio B, North Melbourne
Everywhere, The Busan Biennale, Busan
Walk In/Drive In, Adelaide Festival, Adelaide
The Unquiet World, Australian Centre for Contemporary Art, Melbourne
High Tide: New currents in art from Australia and New Zealand, Zacheta National Galley, Warsaw
2005
If these walls could talk, Roslyn Oxley9 Gallery, Sydney
2004
Cycle Tracks Will Abound in Utopia, Australian Centre for Contemporary Art, Melbourne
Public/Private; Auckland Triennial, Auckland, New Zealand
Architypes, Charles H Scott Gallery, Vancouver, Ivan Dougherty Gallery, Sydney
2003
Berlin Art Fair (with Anna Schwartz)
Cologne Art Fair.(with Gimpel Fils)
Frieze Art Fair.(with Gimpel Fils)
Face Off, Hamburger Bahnhoff, Berlin
Come In, Govett Brewster Art Gallery, New Plymouth, New Zealand
Twilight, Gimpel Fils, London.
Architectural Allusions: Callum Morton and Edwin Zwackman, Gimpel Fils, London
Salon des refuses, Progetti di public art mai realizzati, curated by Roberto Pinto, Fondazione Bevilacqua La Masa, Venice, Italy
Gulliver's Travels, Contemporary Art Centre of South Australia, PICA Perth, IMA Brisbane
2002
Fieldwork, Australian Art 1968 - 2002. National Gallery of Victoria, Australia, Federation Square. Melbourne
The Heimlich Unheimlich, RMIT University Gallery, Melbourne
People Places and Ideas, MUMA, Melbourne
Cologne Art Fair. (with Gimpel Fils)
Melbourne Artfair (with Gimpel Fils)
Milan Art Fair, Italy. (with Gimpel Fils)
Bittersweet, AGNSW, Sydney.
Nocturne, Mornington Regional Art Gallery, Victoria, Australia.
Gulliver's Travels, CAST Gallery, Hobart, Tasmania. Ivan Dougherty NSW, Monash University Gallery, Melbourne.
The Armory Show, New York (with Gimpel Fils)
20, Roslyn Oxley Gallery
2001
Feature, Govett Brewster Art Gallery, New Plymouth, New Zealand
Artissima, Turin, Italy(with Anna Schwartz)
The (Ideal) home Show, Gimpel Fils, London, UK
2000
Longevity, Ian Potter Museum, Melbourne, Australia
The Persistence of Pop, The Exhibitions Gallery, Wangaratta.
The Retrieved Object Linden, St Kilda, Melbourne
Rent, Overgaden, Copenhagen Australian Centre for Contemporary
Art, Melbourne
August 26, Elastic, Sydney
Slave Pianos:The Compromised Economy of Desire and Fear, Melbourne
Facsimile, Bendigo City Art Gallery, Bendigo, Victoria.Plimsol Gallery,
Hobart, Tasmania
1999
Live Acts.Chunky Move @ Revolver, Melbourne
Signs of Life, Melbourne International Biennial, Melbourne
Facsimile, LAC Gallery, Caracas, Venezuela
The Queen is Dead, Stills Gallery.Edinburgh, Scotland
The Persistence of Pop, Monash University Gallery, Melbourne
1998
Everybody Knows, Care of Space d'arte contemporanea and gallery, Openspace.Milan, Italy
Strolling: the art of arcades, boulevards, barricades, publicity, Museum of Modern Art at Heide, Melbourne
Every Other Day, Roslyn Oxley 9 Gallery, Sydney
Snapshot, First Floor, Melbourne
Proscenium, Artspace, Auckland, New Zealand
Rough Trade, Plimsol Gallery Centre For the Arts, Hobart, Tasmania
1997
Rough Trade, The Tanks, Cairns, curated by Jane Gallagher.
Sepplet Contemporary Art Award, Museum of Contemporary Art, Sydney
Power Corruption and Lies, curated by Scott Redford. IMA, Brisbane
World Speak Dumb Karyn Lovegrove Gallery, Melbourne.
Art Advertising, Robert Lindsay Gallery, Melbourne
1996
Power Corruption and Lies / New Order Factory Records 1981, Plotz Gallery, Brisbane
The Expanded Field (with Danius Kesminas and Anna Nervegna) 200 Gertrude St, Melbourne S.W.I.M. 2 Fund Raiser. Project Space. RMIT Building 94.
Ruins in Reverse, RMIT Gallery, curated by Susan Fereday.
Technology Compost (with Damp), organised by Geoff Lowe.Adelaide Festival, Adelaide.
1995
Perspectives: 200 Gertrude Street 1985-1995, 200 Gertrude Street, Melbourne.
The Object of Existence, Australian Centre for Contemporary Art Melbourne
Monash University Art Prize, Monash University Gallery, Melbourne
Suddenly, collaboration with Kathy Temin.The Building 40 Project. RMIT, Melbourne
Lyndal Walker and Callum Morton, First Floor, Melbourne
Australian Perspecta, Art Gallery of New South Wales, Sydney
Videonnale # 6, Bonn, Germany
1994
Slide, 200 Gertrude Street, Melbourne
Projection: Filming the Body, The Basement Project, Melbourne
Passage: Spatial Interventions, Monash University Gallery, Melbourne
Loop: Part One: A Critical Cities Project (Melbourne), Longford Cinema, Melbourne
The Exact Moment, A Critical Cities Project, Melbourne
1993
Store 5 Fundraiser, Maples Lane, Melbourne
1992
S.W.I.M. Fund Raiser, Linden Gallery, Melbourne
Sight Regained: Fred Hollows Fund Raiser, Westpac Gallery, Arts Centre, Melbourne
1991
#100, Store 5, Maples Lane, Melbourne
Magasin 5, Cannibal Pierce Galerie Australienne, Paris, France.
March On! (#2) (collaboration with Rose Nolan), Store 5, Melbourne S.W.I.M Fund Raiser, Linden Gallery, Melbourne
1990
W.T. Rawleigh Building, Northcote, Melbourne
Duet, Collaboration with Kathy Temin, Store 5, no 62, Melbourne
1989
Where Art Ends, Nature Begins, Store 5,
# 62, Melbourne
# 31, A3-20, Store 5, Melbourne
#11, A3-10, Store 5, Melbourne
Bibliography
Stephen Naylor - Public/ Private Tumatauni/Tumataiti: The 2nd Auckland Triennial, Art Monthly Australia #170 June, 2004. p18.
Felicity Fenner - Callum Morton at the Museum of Contemporary Art, Art and America, March 2004, p140.
Susan Best - Sound and Light Humour, Architecture Australia, Jan-Feb, 2004
Astrid Mania - Strike a Pose: Australia Gives Good Face at Berlin's Hamburger Bahnhoff, Broadsheet Vol 32 # 4, p15-16
Richard Grayson - The Downside Up Show, Broadsheet Vol 32 #4, p14 -15
Andrew Frost - Australian Art Collector, Issue #27, 2003, p 92.
Karen Burns - About Face. Art Forum, Berlin. Monument #58, 2003 p38 &39.
Stuart Koop - More Talk About Buildings and Mood, MCA catalogue, Philip Brophy, 2003.
Pat Nourse - Spatial Relations. Black + White #69, 2003.p10
Philip Brophy - Face Up. Exhibition catalogue. Hamburger Bahnhoff.
Nick Hubicki, Germany.
Andrew Mackenzie - Messing with Mies & Callum Morton at the NGVA. Broadsheet, Vol 32 No. 3. Sept ? Nov, 2003. P24 25
Ashley Crawford - Sculptor?s Rich Pickings. The Age, Sept 15, 2003. A3, p11
Stuart Koop - Groundhog Day, Habitat Catalogue, The Ian Potter Centre: NGV Australia. 2003.
Martin Herbert - Frieze Art Fair. Yearbook 2003 & 2004.
Juliana Engberg - loop-back.; new australian art to berlin.Artlink Vol 23 # 3, p24 & 29
Edward Colless - Callum Morton: Interior World. Australian Art Collector, Issue 25, 2003. p 46 -49
Stuart Koop - Fieldwork. Australian Art 1968 & 2003 Broadsheet Vol 32 #1 2003.
Daniel Palmer - Callum Morton. Frieze Issue # 72, Jan & Feb 2003, p106
Davina Jackson - 21st Century House & Museum. Australian Art Collector. (Collector profile: Yueji and Corbett Lyon), Issue 23 Jan & Mar 2003, p 44-47.
Jenepher Duncan - Monash University Collection: Four Decades of Collecting.Linda Michael (Stuart Koop) p112, and p42
Stephanie Radok - The Point of Knowing. Samstag Scholarship catalogue 2003.
Juliana Engberg - The Heimlich Unheimlich. Melbourne Festival Visual Arts Program. 2002 catalogue.
Simon Rees - Bittersweet. Art and Text # 78. P 90 & 91, 2002
Linda Michael - People Places and Ideas. MUMA catalogue. Melbourne, 2002.
Nick Hubicki - Conning Icons. Architectural Review. Australia. Spring 2002. p20-21
Sylvia Katz & Learning from Callum Morton. Abitare 420. September 2002.
Stuart Koop - Gulliver's Travel's, Exhibition Catalogue. Wayne Tunnicliffe & Bittersweet. Exhibiton Catalogue. AGNSW.
Greg Burke - Feature - art, life & cinema. Exhibition catalogue, Govett Brewster Art Gallery, New Zealand
Stuart Koop - Crudelia ? Anno 11 nr.1 Gennalo&Marzo 2001
Stuart Koop - International Style, Monument #41, 2001.p 94 -97
Larissa Hjorth - Mortgage.Broadsheet Vol 29 no 4. Dec 2000. p 16.
D.J.Huppatz - Rent. Like # 13. Summer 2000.p 61 - 62
Callum Morton - The Retrieved Object, Exhibition Catalogue, Linden Gallery, Melbourne.
Anon - Not the Musical. Monument #36, June/July, 2000 p30
Dawn Fulcher & Max Andrews - Rent. Contemporary Visual Arts. Issue 29, 2000.p84
Briony Rhodes - Facsimile. Eyeline # 42, Autumn/Winter 2000. Stuart Koop & Charlotte Day - Rent. Special Issue of jeblikket as exhibition catalogue. May, 2000
Charles Green - Callum Morton. Artforum, March 2000.
Modern Institiute - Melbourne. Glasgow. Edinburgh. Exhibition catalogue for Cultural exchange project.1999.
Max Delany & Raising the Dead. An Interview with Callum Morton. Like Art Magazine No 10. Summer 1999.p 20-25
Clayton Campbell - Callum Morton. Santa Monica Museum of Art. Flash Art International. Vol.xxx11 no 208 October.1999.p117
Daniel Palmer - Signs of Life. Melbourne International Biennial.Frieze #48, Oct 1999. p100-101.
Stuart Koop - Signs of Life. Melbourne International Biennial. Art /Text #67. p86
Susan Stewart - Art and the Experience of Time.Like No 9.Winter 1999.
Monument - Not the Musical.Monument # 36 June/July. 2000
Stuart Koop - What's In the Box ? Catalogue Essay in Mixed Business The Work of Callum Morton.1999.
Juliana Engberg & Signs of Life. Melbourne International Biennial 1999,Exhibition catalogue
Elisabeth Mahoney - The Queen is Dead. Untitled #19, 1999.
Nicky Bird - Hot in the City, The Queen is Dead, Where the Wild Roses Grow, Art Monthly, UK, March, 1999.
Peter Timms - Pop reveals its simple powers of persistence. The Age, 24th March, 1999.p19.
Zara Stanhope - Persistence of Pop. Works from the Monash University Collection.1999
Karen Burns - Urban Unease: The Work of Callum Morton. Backlogue Vol 3. 1999.
Rachel Kent - Strolling. Art and Text #64, 1999. p93-94.
David Cross - Strolling: The art of arcades, boulevards, barricades, publicity, LIKE #7, Summer 1998/99.p46-47
Artfan #8 - Everybody Knows, 1998.
Max Delany - Strolling:the art of arcades, boulevards, barricades, publicity. Exhibition catalogue.Museum of Modern Art at Heide.1998.
Adam Geczy - Not so fine art. Art Monthly #112. August 1998.
Stuart Koop - Three Quarter Time. Interview with Callum Morton from Sepplet Contempoary Art Award catalogue, MCA, 1997.
Giovanni Intra - now and then, exhibition catalogue, Govett-Brewster Art Gallery, New Zealand.1997.
Rex Butler - Slow Apocalypse, exhibition catalogue, Power, Corruption and Lies, IMA, Brisbane. 1997
Lara Travis - World Speak Dumb, LIKE #2, 1997
Deborah Hennessy - Art Lover's Lost Highway, Broadsheet, Vol 26 # 2 Winter 1997
World Speak Dumb - Exhibition Catalogue, Karyn Lovegrove Gallery.
Christopher Chapman - Sculpture Snapshots, Photofile #99, 1997
Evan Maloney - Consuming Art, Art Monthly #99, 1997
Mark Pennings -Bright Shiny and New, art advertising, catalogue essay
Simon Cooper & the expanded field, LIKE #1, 1996.
Stuart Koop - been there, interview in exhibition catalogue, artspace Nov 1996.
David Cross - the expanded field, Art and Text # 55.
Robert Schubert - ruins in reverse, Art and Text # 55.
Natalie King - Building 40 Project, Art and Australia, vol 33 no 4
Susan Fereday - ruins in reverse (exhibition catalogue), RMIT Gallery.
Carolyn Barnes - Perspectives, An HistoricalPerspective, (exhibition catalogue) 200 Gertrude Street.
Claire Williamson - Object of Existence, (exhibition catalogue), ACCA, 1995
Max Delany - Callum Morton: Belvedere, Australian Perspecta 95 (exhibition catalogue), Art Gallery of New South Wales, 1995
Alex Pittendrigh & Mutlu ?erkez - Callum Morton and Lyndal Walker, 1995
Judy Annear - The Making of Australian Perspecta, Art Monthly, no 75,1995
Natalie King - Hothouse Varieties, Art & Asia Pacific, vol 2, no 2, 1995.
Stuart Koop - Real Model World, Art & Text, no 52, 1995, pp 36-38
Circular #3, February 1994
Sandra Bridie - The Exact Moment. Critical Cities Melbourne, 1994.
Natalie King - Passage: Spatial Interventions (exhibition catalogue), Monash University Gallery, May 1994
Sandra Bridie - Introduction to Critical Cities, Critical Cities, March 1994
Artfan # 2 - Office. 1994
M. Holden - Cul-de-sac (exhibition catalogue), 200 Gertrude Street, June 1994
E. Pierini - Passage: Spatial Interventions, Broadsheet, vol 23, no 2, Winter 1994
Marie Sierra-Hughes - Cul-de-Sac, Agenda # 38, September 1994
F. Coleman - Passage, Agenda # 38, September 1994
M. Holden - Loop: Part One, Agenda #38, September 1994
Artfan #3/4 - Loop: Part One, Melbourne, no 3/4, 1994
H. Smorgan & Loop: Part One, Photofile# 43, 1994
Chris McAuliffe - Next Wave Festival, Art and Australia, vol 32, no 2, 1994
T. Mathieson - More Next Wave Festival, Art and Australia, vol 32, no 2, 1994.
F. Coleman - Next Wave Festival, Art &Text # 49, 1994
Nicholas Baume - Room 32, Art &Text #50, 1994
Kirsten Thompson - Charles William Gallery Review, Transition # 36/37, 1991
Newspaper Reviews
Robert Nelson - Cycle Tracks Will Abound in Utopia, The Age, Sept 1, 2004
Elizabeth Farrelly - All the world's adesigner stage, Sydney Morning Herald, Tuesday Jan 20, 2004
Patricia Anderson - The secret life of houses. The Weekend Australian. Dec 20-21,
2003 R17
Peter Hill - Visual Arts. Sydney Morning Herald. Weekend Edition. Dec 13 - 14, 2003, Spectrum 11
Dominique Angeloro - If it's rockin'. SMH Metro, Friday 14th Nov, 2003.
Lenny Ann Low - Miniaturisation with mischief demands a detailed look. The Sydney Morning Herald,Oct 29, 2003. P 16.
Susan Shineberg - In the jaws of Berlin's Great Whites, a taste of Australia. The Age,Saturday October 4, 2003. News p9.
Megan Backhouse - A model artist. The Age. Sat May 31, 2003, review, P7.
Ashley Crawford - Bilbao on the Yarra, Financial Review, Dec 4th, 2002.
Robert Nelson - Viewers take ride back to the future. The Age. Sat Nov 30, 2002. P 29
John Mangan - Party time for an art gallery with a split personality. The Age Nov 25. 2002. P3
Gabriella Coslovich - Gas and Fuel towers are back, in miniature and on site. The Age. Nov 23, 2002. P 6.
Megan Backhouse - Callum Morton, cooking with gas, The Age Weds Oct 2, 2002. The Culture, P6.
Robert Nelson - The Age Sat 28th Sept.
Benjamin Genocchio - Twitchy escapist impulses. The Weekend Australian, May 4-5, 2002
Susan McCulloch&Vehlin - Lunar Dreaming, Weekend Australian, Sat April 20, 2002.
Holly Myers - An intimate trip to dreamland, LA Times, Feb 5, 2002.
Benjamin Genocchio - Building on lurid fantasies, The Weekend Australian, January12 - 13, 2002
Robert Nelson - Seeing is Believing. The Age. Friday November 24, 2000
Robert Nelson - Someone Else's Home is Where this Art is.Sunday Age. September 3, 2000
Megan Backhouse - Hybrid Forms under the Spotlight. The Age, Wednesday, 26 July, 2000.P7
Alison Barclay - 2020 visionaries.Who will be the leading Australian artists of the future? Herald Sun, Saturday, January 8, 2000.p104 +p97
William Wilson - Oversized Comments on Society, Success. Los Angeles Times, July 22, 1999.
Yasmin Monsalve - La cultura de la copia ilega desde Australia. El Universal.July 11999.
Edgar Alfonzo-Sierra - Facsimile:Australia en copias.El Nacional.June 30 1999.
Bruce James - Hitting the Poor Snail on the Head. The Sydney Morning Herald.June 19 1999.
Joanna Murray-Smith - The Freedom to Pursue the Art of the Matter. The Age 13 June 1999.
Anna Clabburn - Plentiful Life Signs. The Age June 9 1999.
Robert Rooney - A little chaos, but definite life signs. The Australian. Sunday May 1999.
Peter Timms - Biennale plays it safe. The Age May 1999.
Ashley Crawford - Signs of Strife. The Age, May 8 1999.
Peter Timms - Pop reveals its simple powers of persistence. The Age,March 24, 1999.
Anna Clabburn - Three strolling artists lead the way at MOMA. The Age, Nov 11, 1998.
Sebastian Smee - Sydney Morning Herald. Sept 29, 1998.
Myfawny Warhurst - Strolling Along. The Age, Saturday Extra. Oct 24, 1998.
Robert Roone - Everyday is deja vu Day in Suburbia.The Australian.Oct 16, 1998.
TJ McNamara - Neo-Romantic Revival.Art Monthly New Zealand.
Peter Hill - Moonlighting for Jacks of All Trades.The Australian, March 6, 1998.
Adrian Martin - Art Collector# 1998.
Susan Mcculloch - Architectural bent puts Morton in the frame. The Australian. Nov 21, 1997.
Giles Auty - But Who Picked the Jury ? The Weekend Australian. Nov 15-16, 1997.
Bruce James - Galleries. Sydney Morning Herald. Nov 14, 1997
Rebecca Lancashire - When is an art prize not an art prize ? The Age, July 16 1997
Angela Bennie - A Toast to final five, The Sydney Morning Herald, July 15, 1997
Mark Birch - New artist-in-residence is closer to deciding New Plymouth Project, Daily News, New Plymouth, June 27, 1997.
Robert Rooney - Art-Advertising, The Australian, March, 1997
Anna Johnson - Young At Art, Good Weekend, April 26, 1997.
Bruce James - Sydney Morning Herald, Nov 1996
Robert Rooney - ......Expanded Field. The Australian, Melbourne, 24 May, 1996
Robert Nelson - Fire in a Prestigious Underbelly, The Age, Melbourne, 15 May, 1996
Robyn Mckenzie - Balcony Sculpture, The Age, Melbourne, 25 October,1995.
Robert Rooney - Melbourne Art, The Australian, Melbourne, 17 October, 1995.
Bruce James - Perspecta exhibition a hybrid exploration, The Age, Melbourne, 10 February, 1995
Elwyn Lynn - Framed witnesses defend Perspecta, The Australian, Melbourne, 10 February, 1995
Video Art
2000
Callum Morton Four Works. Video Document.
1999
Twister. For Live Acts with Shelley Lassica. Chunky Moves Performances at Revolver.
1996
The Expanded Field. Video documentation.
1994
Loop: Part One.
Page Art
Cattelan, M and Manfrin, P Permanent Food # 7, 2000.
Artfan #8, Everybody Knows, 1998.
Practice #3, Artist Pages. 1998.
Circular # 6, September, 1997
Artfan #, Rock On. Guest Editor.1998.
Artfan #5, Cover, Autumn 1995.
Agenda #35, Cover.1993
Circular #1, May 1993
Circular #2, October 1993
Agenda #13/14, Artists Page: Artists Wallpaper Supplement,
Prizes
Sepplet Contemporary Art Award
Monash University Inaugural Art Awards, 1995
Grants and Scholarships
1997
New Work Grant, Australia Council
New Work Grant. Australia Council.
Professional Development Grant, Arts Victoria
1999
New Work Grant Australia Council
2000
New Work Grant, Arts Victoria.
2003
Samstag Scholarship.
Collections
Art Gallery of New South Wales
National Gallery of Victoria
Monash University Gallery, Melbourne
Queensland Art Gallery
The Corbett and Yueji Lyon Collection.
The Michael Buxton Collection.
Artbank.
Private Collections locally and internationally
